プロンプト · ベトナム文字の旅行ポスター
ホイアンの灯り：夕暮れのランタン
AI（Google Flow）で作成（以下のプロンプトから）
プロンプト
No reference photograph is supplied — invent a single consistent woman and keep her identical in every element of this image, including the miniature figure inside the double exposure. One face, one hairstyle, one body, appearing twice. The same woman fills the left two-thirds of the frame, leaving the right third as clean, calm space for the text, a radiant natural expression, a soft smile, eyes looking to the right of frame, wearing ao dai — long flowing silk tunic over wide trousers, high mandarin collar, in soft silk with subtle embroidery, She is walking naturally along the lantern-lit old town street of Hoi An at dusk, golden sunlight reflecting off the road surface. DOUBLE EXPOSURE: blended into her silhouette, woven organically into her form rather than pasted on, render the Japanese Covered Bridge, Chua Cau; the yellow merchant houses of the old town; lantern boats on the Hoai River; silk lanterns strung across the old streets. The exposure never covers her eyes, nose, lips or chin: her face stays clear and sharp. Scattered through the exposure: silk lanterns, bougainvillea, wooden boats, paper flower candles on the water, yellow walls. Inside the double exposure appears a small second version of the same woman, in the same dress, walking into the scene — the depth cue that makes the effect read. Luxury double-exposure travel poster, photorealistic. PALETTE: keep the colours to deep indigo dusk, lantern red, warm yellow and gold. CORNERS: anchor silk lanterns, large, in the lower-left corner and bougainvillea, smaller, in the upper-right corner, framing her without touching her face. TEXT ON THE POSTER - write EXACTLY these words, letter by letter, with every accent and diacritic, nothing added: 1) "Hội An" - very large elegant gold calligraphy; 2) "lung linh" - deep red brush script under it; 3) "son-sunny.com" - tiny thin letters, bottom right. All text sits in the clean empty space on the right side, never over her face or body, Sony A7R V, 85mm, f/1.8, shallow depth of field, natural skin texture with visible pores, 8K, award-winning travel photography, golden hour, cinematic lighting, soft rim light behind her hair separating her from the background; warm palette, clear air, HDR. Portrait 3:4. No watermark, logo, text artifacts, extra people, crowd, duplicate faces, distorted hands, extra fingers, plastic skin, over-smoothed skin, face reshaped, different person, wrong ethnicity, costume from another country, cartoon, 3d render, lowres, blurry, oversaturated, misspelled text, missing diacritics, any text other than the given lines.
No reference photograph is supplied — invent a single consistent woman and keep her identical in every element of this image, including the miniature figure inside the double exposure. One face, one hairstyle, one body, appearing twice. The same woman fills the left two-thirds of the frame, leaving the right third as clean, calm space for the text, a radiant natural expression, a soft smile, eyes looking to the right of frame, wearing ao dai — long flowing silk tunic over wide trousers, high mandarin collar, in soft silk with subtle embroidery, She is walking naturally along the lantern-lit old town street of Hoi An at dusk, golden sunlight reflecting off the road surface. DOUBLE EXPOSURE: blended into her silhouette, woven organically into her form rather than pasted on, render the Japanese Covered Bridge, Chua Cau; the yellow merchant houses of the old town; lantern boats on the Hoai River; silk lanterns strung across the old streets. The exposure never covers her eyes, nose, lips or chin: her face stays clear and sharp. Scattered through the exposure: silk lanterns, bougainvillea, wooden boats, paper flower candles on the water, yellow walls. Inside the double exposure appears a small second version of the same woman, in the same dress, walking into the scene — the depth cue that makes the effect read. Luxury double-exposure travel poster, photorealistic. PALETTE: keep the colours to deep indigo dusk, lantern red, warm yellow and gold. CORNERS: anchor silk lanterns, large, in the lower-left corner and bougainvillea, smaller, in the upper-right corner, framing her without touching her face. TEXT ON THE POSTER - write EXACTLY these words, letter by letter, with every accent and diacritic, nothing added: 1) "Hội An" - very large elegant gold calligraphy; 2) "lung linh" - deep red brush script under it; 3) "son-sunny.com" - tiny thin letters, bottom right. All text sits in the clean empty space on the right side, never over her face or body, Sony A7R V, 85mm, f/1.8, shallow depth of field, natural skin texture with visible pores, 8K, award-winning travel photography, golden hour, cinematic lighting, soft rim light behind her hair separating her from the background; warm palette, clear air, HDR. Portrait 3:4. No watermark, logo, text artifacts, extra people, crowd, duplicate faces, distorted hands, extra fingers, plastic skin, over-smoothed skin, face reshaped, different person, wrong ethnicity, costume from another country, cartoon, 3d render, lowres, blurry, oversaturated, misspelled text, missing diacritics, any text other than the given lines.
パートごと
- 被写体: No reference photograph is supplied — invent a single consistent woman and keep her identical in every element of this image, including the miniature figure inside the double exposure. One face, one hairstyle, one body, appearing twice. The same woman fills the left two-thirds of the frame, leaving the right third as clean, calm space for the text, a radiant natural expression, a soft smile, eyes looking to the right of frame, wearing ao dai — long flowing silk tunic over wide trousers, high mandarin collar, in soft silk with subtle embroidery
- 設定: She is walking naturally along the lantern-lit old town street of Hoi An at dusk, golden sunlight reflecting off the road surface. DOUBLE EXPOSURE: blended into her silhouette, woven organically into her form rather than pasted on, render the Japanese Covered Bridge, Chua Cau; the yellow merchant houses of the old town; lantern boats on the Hoai River; silk lanterns strung across the old streets. The exposure never covers her eyes, nose, lips or chin: her face stays clear and sharp. Scattered through the exposure: silk lanterns, bougainvillea, wooden boats, paper flower candles on the water, yellow walls. Inside the double exposure appears a small second version of the same woman, in the same dress, walking into the scene — the depth cue that makes the effect read
- スタイル: Luxury double-exposure travel poster, photorealistic. PALETTE: keep the colours to deep indigo dusk, lantern red, warm yellow and gold. CORNERS: anchor silk lanterns, large, in the lower-left corner and bougainvillea, smaller, in the upper-right corner, framing her without touching her face. TEXT ON THE POSTER - write EXACTLY these words, letter by letter, with every accent and diacritic, nothing added: 1) "Hội An" - very large elegant gold calligraphy; 2) "lung linh" - deep red brush script under it; 3) "son-sunny.com" - tiny thin letters, bottom right. All text sits in the clean empty space on the right side, never over her face or body
- カメラ: Sony A7R V, 85mm, f/1.8, shallow depth of field, natural skin texture with visible pores, 8K, award-winning travel photography
- 光: golden hour, cinematic lighting, soft rim light behind her hair separating her from the background; warm palette, clear air, HDR
- 形状: Portrait 3:4
- 省略: No watermark, logo, text artifacts, extra people, crowd, duplicate faces, distorted hands, extra fingers, plastic skin, over-smoothed skin, face reshaped, different person, wrong ethnicity, costume from another country, cartoon, 3d render, lowres, blurry, oversaturated, misspelled text, missing diacritics, any text other than the given lines
自分用に作る
- 都市 → 好きな場所: 4つの実在の名所を名前で言え
- áo dài → その土地のドレス（東京はきもの、ソウルはハンボック）
- 画像上のベトナム語の単語: 引用符で囲み、どこに置くかを言え、"スペルミス、発音記号不足"を省略行に追加してくれ。Google FlowのNano Banana 2.1はこのようにアクセントを正しく書いた。