画像プロンプト · 旅行
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AI (ChatGPT) を使用して、以下のプロンプトから作成しました。
プロンプト
If you upload a portrait, use that exact face for the person in every scene; if not, one young Vietnamese woman with long black hair, the SAME face in every scene. Create ONE beautiful southern Vietnam travel portrait poster with FOUR scenes in a tidy 2x2 photo grid. The same woman appears once in every panel, always FULL-LENGTH with her entire outfit and feet visible. Keep her face, age, and body proportions consistent. Photorealistic travel editorial, affectionate countryside atmosphere, natural skin, realistic sunlight, LAYOUT: A clean title band above four equal panels separated by narrow cream gutters. No overlapping images and no extra central figure. Each woman is the large foreground subject, occupying approximately 70–75% of the panel height, with the destination clearly recognizable behind her. Write the title exactly: "Một vòng miền Tây" Write the smaller subtitle exactly: "Áo bà ba thương nhớ" Give each panel one elegant cream place-name tag with the exact wording below. CLOTHING: Authentic southern Vietnamese áo bà ba in every panel: a modest hip-length, long-sleeved, round-neck blouse with a straight front button placket and two low front pockets, worn OVER loose full-length trousers. Soft practical fabric with a subtle sheen, not a bodycon costume. No áo dài, no qipao, no high side slits, no exposed midriff. A black-and-white checked khăn rằn may be worn loosely around the neck or carried over one forearm. TOP LEFT — "Chợ nổi Cái Răng": Cai Rang floating market in Can Tho at sunrise. She stands safely on a broad, stable wooden boat deck, wearing a warm terracotta áo bà ba and black loose trousers. Behind her are wholesale produce boats and authentic tall bamboo cây bẹo poles displaying sample pineapples and pumpkins. Open river, working market atmosphere, no invented monument. TOP RIGHT — "Rừng tràm Trà Sư": Tra Su cajuput forest in An Giang. She stands on a simple wooden waterside platform, wearing a pale sage áo bà ba and deep brown loose trousers. Show tall pale cajuput trunks, dense green canopy, a still channel carpeted with bright green duckweed, and a small wooden sampan. Soft light filtered through foliage. BOTTOM LEFT — "Làng hoa Sa Đéc": Sa Dec flower village in Dong Thap. She stands on a dry walkway between raised flower benches above shallow water channels, wearing a pale blush áo bà ba and ivory loose trousers. Rows of yellow chrysanthemums, pink flowers, rustic bamboo supports, and a grower’s small boat establish the real flower-village setting. BOTTOM RIGHT — "Cù lao Thới Sơn": Thoi Son Islet in Tien Giang. She stands on a small orchard-side landing beside a narrow canal shaded by arching nipa palms, wearing a soft butter-yellow áo bà ba and dark brown loose trousers. A wooden rowing sampan waits beside the landing; a lush tropical fruit orchard appears behind her. Use a unified river-green, honey-gold, and warm-cream palette. Decorate only the outer bottom corners with a few water-hyacinth blossoms and a small woven basket of ripe rambutan. Add a subtle river-and-palm scenery strip along the bottom margin. Do not cover the figures, labels, or panels. Photo-real travel editorial, one designed poster, tall 9:16 poster, the whole layout in frame, natural light as described for each scene. Tall 9:16. No logos, no watermark, no extra fingers.
If you upload a portrait, use that exact face for the person in every scene; if not, one young Vietnamese woman with long black hair, the SAME face in every scene. Create ONE beautiful southern Vietnam travel portrait poster with FOUR scenes in a tidy 2x2 photo grid. The same woman appears once in every panel, always FULL-LENGTH with her entire outfit and feet visible. Keep her face, age, and body proportions consistent. Photorealistic travel editorial, affectionate countryside atmosphere, natural skin, realistic sunlight, LAYOUT: A clean title band above four equal panels separated by narrow cream gutters. No overlapping images and no extra central figure. Each woman is the large foreground subject, occupying approximately 70–75% of the panel height, with the destination clearly recognizable behind her. Write the title exactly: "Một vòng miền Tây" Write the smaller subtitle exactly: "Áo bà ba thương nhớ" Give each panel one elegant cream place-name tag with the exact wording below. CLOTHING: Authentic southern Vietnamese áo bà ba in every panel: a modest hip-length, long-sleeved, round-neck blouse with a straight front button placket and two low front pockets, worn OVER loose full-length trousers. Soft practical fabric with a subtle sheen, not a bodycon costume. No áo dài, no qipao, no high side slits, no exposed midriff. A black-and-white checked khăn rằn may be worn loosely around the neck or carried over one forearm. TOP LEFT — "Chợ nổi Cái Răng": Cai Rang floating market in Can Tho at sunrise. She stands safely on a broad, stable wooden boat deck, wearing a warm terracotta áo bà ba and black loose trousers. Behind her are wholesale produce boats and authentic tall bamboo cây bẹo poles displaying sample pineapples and pumpkins. Open river, working market atmosphere, no invented monument. TOP RIGHT — "Rừng tràm Trà Sư": Tra Su cajuput forest in An Giang. She stands on a simple wooden waterside platform, wearing a pale sage áo bà ba and deep brown loose trousers. Show tall pale cajuput trunks, dense green canopy, a still channel carpeted with bright green duckweed, and a small wooden sampan. Soft light filtered through foliage. BOTTOM LEFT — "Làng hoa Sa Đéc": Sa Dec flower village in Dong Thap. She stands on a dry walkway between raised flower benches above shallow water channels, wearing a pale blush áo bà ba and ivory loose trousers. Rows of yellow chrysanthemums, pink flowers, rustic bamboo supports, and a grower’s small boat establish the real flower-village setting. BOTTOM RIGHT — "Cù lao Thới Sơn": Thoi Son Islet in Tien Giang. She stands on a small orchard-side landing beside a narrow canal shaded by arching nipa palms, wearing a soft butter-yellow áo bà ba and dark brown loose trousers. A wooden rowing sampan waits beside the landing; a lush tropical fruit orchard appears behind her. Use a unified river-green, honey-gold, and warm-cream palette. Decorate only the outer bottom corners with a few water-hyacinth blossoms and a small woven basket of ripe rambutan. Add a subtle river-and-palm scenery strip along the bottom margin. Do not cover the figures, labels, or panels. Photo-real travel editorial, one designed poster, tall 9:16 poster, the whole layout in frame, natural light as described for each scene. Tall 9:16. No logos, no watermark, no extra fingers.
パートごと
- 被写体: If you upload a portrait, use that exact face for the person in every scene; if not, one young Vietnamese woman with long black hair, the SAME face in every scene. Create ONE beautiful southern Vietnam travel portrait poster with FOUR scenes in a tidy 2x2 photo grid. The same woman appears once in every panel, always FULL-LENGTH with her entire outfit and feet visible. Keep her face, age, and body proportions consistent. Photorealistic travel editorial, affectionate countryside atmosphere, natural skin, realistic sunlight
- 設定: LAYOUT: A clean title band above four equal panels separated by narrow cream gutters. No overlapping images and no extra central figure. Each woman is the large foreground subject, occupying approximately 70–75% of the panel height, with the destination clearly recognizable behind her. Write the title exactly: "Một vòng miền Tây" Write the smaller subtitle exactly: "Áo bà ba thương nhớ" Give each panel one elegant cream place-name tag with the exact wording below. CLOTHING: Authentic southern Vietnamese áo bà ba in every panel: a modest hip-length, long-sleeved, round-neck blouse with a straight front button placket and two low front pockets, worn OVER loose full-length trousers. Soft practical fabric with a subtle sheen, not a bodycon costume. No áo dài, no qipao, no high side slits, no exposed midriff. A black-and-white checked khăn rằn may be worn loosely around the neck or carried over one forearm. TOP LEFT — "Chợ nổi Cái Răng": Cai Rang floating market in Can Tho at sunrise. She stands safely on a broad, stable wooden boat deck, wearing a warm terracotta áo bà ba and black loose trousers. Behind her are wholesale produce boats and authentic tall bamboo cây bẹo poles displaying sample pineapples and pumpkins. Open river, working market atmosphere, no invented monument. TOP RIGHT — "Rừng tràm Trà Sư": Tra Su cajuput forest in An Giang. She stands on a simple wooden waterside platform, wearing a pale sage áo bà ba and deep brown loose trousers. Show tall pale cajuput trunks, dense green canopy, a still channel carpeted with bright green duckweed, and a small wooden sampan. Soft light filtered through foliage. BOTTOM LEFT — "Làng hoa Sa Đéc": Sa Dec flower village in Dong Thap. She stands on a dry walkway between raised flower benches above shallow water channels, wearing a pale blush áo bà ba and ivory loose trousers. Rows of yellow chrysanthemums, pink flowers, rustic bamboo supports, and a grower’s small boat establish the real flower-village setting. BOTTOM RIGHT — "Cù lao Thới Sơn": Thoi Son Islet in Tien Giang. She stands on a small orchard-side landing beside a narrow canal shaded by arching nipa palms, wearing a soft butter-yellow áo bà ba and dark brown loose trousers. A wooden rowing sampan waits beside the landing; a lush tropical fruit orchard appears behind her. Use a unified river-green, honey-gold, and warm-cream palette. Decorate only the outer bottom corners with a few water-hyacinth blossoms and a small woven basket of ripe rambutan. Add a subtle river-and-palm scenery strip along the bottom margin. Do not cover the figures, labels, or panels
- スタイル: photo-real travel editorial, one designed poster
- カメラ: tall 9:16 poster, the whole layout in frame
- 光: natural light as described for each scene
- 形状: Tall 9:16
- 省略: No logos, no watermark, no extra fingers
自分用に作る
- 一つの顔のツアーを維持し、場所、服、料理を変更する