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If you upload a portrait, use that exact face for the person in every scene; if not, one young Vietnamese woman with long black hair, the SAME face in every scene. Create ONE elegant Chinese ancient-town travel portrait poster containing FOUR scenes in a precise 2x2 photo grid. Each panel shows the same woman as a large, clearly visible FULL-LENGTH figure, including her shoes and complete skirt hem. Keep her face recognizable and consistent across all four panels. Use realistic editorial photography, natural skin texture, refined styling, and cinematic scenery, LAYOUT: A dedicated title band at the top, followed by four equal rectangular panels with thin ivory gutters. No overlapping panels, no extra inset pictures, no additional central figure. Each woman occupies about 75% of her panel height. Keep all typography away from faces and clothing. Write the title exactly: "Một vòng Trung Hoa" Write a smaller subtitle exactly: "Nàng thơ cổ trấn" Place one neat cream nameplate inside the lower edge of each panel, using the exact Vietnamese place names below. TOP LEFT — "Lệ Giang": Lijiang Old Town, recognizable by its twin wooden waterwheels beside the canal and traditional timber buildings with tiled roofs. The woman wears historically grounded Ming-style Hanfu: a pale ivory cross-collar ao jacket with restrained plum-blossom embroidery and a muted rose mamianqun pleated skirt. Soft morning light, willow branches, cobbled paths. TOP RIGHT — "Đại Lý": Dali Old Town, with its historic South Gate tower, whitewashed buildings, gray tiled roofs, and the Cangshan mountains in the distance. She wears a Tang-style qixiong ruqun: a pale cream short blouse, a high-tied flowing sky-blue skirt, and a light pibo silk shawl. Airy daylight, delicate silver hairpins, restrained styling. BOTTOM LEFT — "Phượng Hoàng": Fenghuang Ancient Town beside the Tuojiang River, with authentic riverside diaojiaolou stilt houses and Hong Bridge visible farther along the water. She wears Song-style Hanfu: a long open-front muted brick-red beizi over an ivory blouse and a flowing warm-beige pleated skirt. Blue-hour river reflections and softly glowing lanterns. BOTTOM RIGHT — "Ô Trấn": Wuzhen water town, recognizable by its narrow canal, whitewashed walls, dark wooden waterfront houses, and an arched stone bridge. She wears Ming-style Hanfu: a pale celadon cross-collar ao jacket and a cream mamianqun skirt. Misty morning atmosphere and a wooden canal boat. These are authentic Hanfu garment types styled for the scenery, not claims of town-specific historical uniforms. Do not substitute Naxi or Bai ethnic clothing, qipao, kimono, or fantasy costume. Unify the poster with jade, ivory, and dusty rose tones. Add small magnolia blossoms and an elegant folded silk fan only in the outer bottom corners. A faint ink-wash mountain strip decorates the bottom margin without covering any panel. Photo-real travel editorial, one designed poster, tall 9:16 poster, the whole layout in frame, natural light as described for each scene. Tall 9:16. No logos, no watermark, no extra fingers.
If you upload a portrait, use that exact face for the person in every scene; if not, one young Vietnamese woman with long black hair, the SAME face in every scene. Create ONE elegant Chinese ancient-town travel portrait poster containing FOUR scenes in a precise 2x2 photo grid. Each panel shows the same woman as a large, clearly visible FULL-LENGTH figure, including her shoes and complete skirt hem. Keep her face recognizable and consistent across all four panels. Use realistic editorial photography, natural skin texture, refined styling, and cinematic scenery, LAYOUT: A dedicated title band at the top, followed by four equal rectangular panels with thin ivory gutters. No overlapping panels, no extra inset pictures, no additional central figure. Each woman occupies about 75% of her panel height. Keep all typography away from faces and clothing. Write the title exactly: "Một vòng Trung Hoa" Write a smaller subtitle exactly: "Nàng thơ cổ trấn" Place one neat cream nameplate inside the lower edge of each panel, using the exact Vietnamese place names below. TOP LEFT — "Lệ Giang": Lijiang Old Town, recognizable by its twin wooden waterwheels beside the canal and traditional timber buildings with tiled roofs. The woman wears historically grounded Ming-style Hanfu: a pale ivory cross-collar ao jacket with restrained plum-blossom embroidery and a muted rose mamianqun pleated skirt. Soft morning light, willow branches, cobbled paths. TOP RIGHT — "Đại Lý": Dali Old Town, with its historic South Gate tower, whitewashed buildings, gray tiled roofs, and the Cangshan mountains in the distance. She wears a Tang-style qixiong ruqun: a pale cream short blouse, a high-tied flowing sky-blue skirt, and a light pibo silk shawl. Airy daylight, delicate silver hairpins, restrained styling. BOTTOM LEFT — "Phượng Hoàng": Fenghuang Ancient Town beside the Tuojiang River, with authentic riverside diaojiaolou stilt houses and Hong Bridge visible farther along the water. She wears Song-style Hanfu: a long open-front muted brick-red beizi over an ivory blouse and a flowing warm-beige pleated skirt. Blue-hour river reflections and softly glowing lanterns. BOTTOM RIGHT — "Ô Trấn": Wuzhen water town, recognizable by its narrow canal, whitewashed walls, dark wooden waterfront houses, and an arched stone bridge. She wears Ming-style Hanfu: a pale celadon cross-collar ao jacket and a cream mamianqun skirt. Misty morning atmosphere and a wooden canal boat. These are authentic Hanfu garment types styled for the scenery, not claims of town-specific historical uniforms. Do not substitute Naxi or Bai ethnic clothing, qipao, kimono, or fantasy costume. Unify the poster with jade, ivory, and dusty rose tones. Add small magnolia blossoms and an elegant folded silk fan only in the outer bottom corners. A faint ink-wash mountain strip decorates the bottom margin without covering any panel. Photo-real travel editorial, one designed poster, tall 9:16 poster, the whole layout in frame, natural light as described for each scene. Tall 9:16. No logos, no watermark, no extra fingers.